FILMS.exe
Narrative shorts, launch films, and anthems built to get passed around like contraband, not presented in a boardroom.
ON AIR — DO NOT ADJUST YOUR SET
Cyberspace.tv is a transmission studio that treats the internet like a pirate television network. We make irreverent branded films, digital series, launch stunts, and screen-native campaigns for companies tired of looking algorithmically polite. The channel-surf below is the reel: keep clicking until something feels stolen.
MONITOR / ILLICIT
● LIVE SIGNAL
CH-04 NIGHT DROP
A sneaker launch cut like a bootleg sports feed — 90 seconds, no logo sting, sold the capsule before legal finished watching.
CHANNEL SURF
Four Windows. One Unlicensed Network.
Services live here as desktop apps pretending to be TV channels — click a window, get a brief. Hire us project by project, keep us on an annual creative retainer, or license a branded mini-series when one film is not enough voltage.
STUNTS.exe
One-night spectacles, fake-channel takeovers, and live digital hijacks engineered so the timeline flinches on contact.
SERIES.exe
Licensed branded mini-series with seasons, cold opens, and recap culture — the retainer that keeps you broadcasting all year.
WORLDS.exe
Screen-native campaign universes: title sequences, fake networks, and interstitial spaces your audience can actually inhabit.
Selected Transmissions (Messy Desktop)
Case studies stacked like unsaved windows — each one a mini broadcast, never a polished PDF. These are the jobs that made polite agencies congratulate us in public and panic in Slack.
NIGHT MARKET — athletic drop
A four-part film shot like a pirated night-market feed; the capsule sold out in eleven minutes and two ad networks banned the cut.
HOTEL 13 — hospitality launch
We built a fake in-room channel for a hotel opening. Guests called it a glitch. Repeat bookings called it the reason they stayed.
AFTERIMAGE — beauty house
Lipstick as late-night interception. The hero never ran as a pre-roll; it leaked, on purpose, and the comments did the media plan.
COLD STORAGE — CPG upstart
A grocery brand hijacked a weather graphic for 48 hours. The storm was the product. The internet paid for the airtime.
The Operators —
End Credits, Not Headshots
A small transmission crew, not a holding-company floor. Bios roll like pirate-TV credits because the work should outrank the portraits — and because you are hiring a frequency, not a deck of job titles.
CD / SIGNAL THIEF
VESPER KANE .......... CD / SIGNAL THIEF
Writes the manifesto, breaks the frame, used to pirate satellite feeds for sport and never really stopped.
DIRECTOR / PICTURE BANDIT
MILO HART .......... DIRECTOR / PICTURE BANDIT
Shoots branded films as if they might get seized; if a frame looks approved, it gets reshot after midnight.
EP / CONTINUITY OUTLAW
JUNIPER VALE .......... EP / CONTINUITY OUTLAW
Keeps the chaos on a clock — retainers, series bibles, delivery dates the rest of us would romanticize missing.
DESIGN / FREQUENCY
REX CALDER .......... DESIGN / FREQUENCY
Builds the fake channels, the glitch chrome, and the worlds you click into before you remember they were ads.
Frequency Check —
Intercepted Marks
These are not logos parked in a graveyard. They are signals we pulled out of the static: brands that hired us to stop sounding like everyone else with a media budget and a tasteful moodboard.
SIGNAL 01 — athletic / drop culture
They asked for a launch film. They got a bootleg sports broadcast the internet treated as real coverage.
SIGNAL 07 — hospitality / late night
A hotel group that let us turn the in-room television into a rumor guests repeated at breakfast.
SIGNAL 13 — beauty / after hours
A house that requested prestige and left with a spot that felt stolen from a cooler, meaner decade.
SIGNAL 22 — CPG / weather band
A founder who let us hijack a format nobody owns. Forecast first. Product second. Category permanently dented.
SAMSUNG
CONVERSE
Open a Channel — Transmission Request
This is not a corporate RFP. Tell us what you want to interrupt — a launch, a season, a category that looks too clean — and we will tell you if the signal is worth stealing. Name a project fee, an annual retainer, or a licensed mini-series. Vague briefs get static.
WHO'S CALLING
Brand, title, and proof you can actually greenlight a hijack — interns with inspiration folders will not be patched through.
WHAT TO INTERRUPT
Film, stunt, series, or a whole screen world. Be concrete about the feed you want to break.
BUDGET FREQUENCY
One-off production, yearly creative retainer, or a licensed season. Send numbers, not 'competitive but flexible.'
AIR DATE
When this has to hit. Urgency is a creative material here; we will not invent a crisis for you.
SIGNAL RECEIVED
thanks - we'll be in touch