CAM 00 / CORRIDOR A
Motion detected. Feed live. Occupancy: 1.
liminalspace.click is a nine-floor building disguised as a website — the working archive, film reel and commissioning desk of Tanya Velazco, the artist known as Abandoned Muse.
CAM 00 · CORRIDOR A · MOTION EVENT LOGGED
Corridor is empty. Lights are on for no one. Timecode is running whether you stay or not. One instruction: click. Every click moves you one room deeper — nine floors, each room a finished body of work.
Motion detected. Feed live. Occupancy: 1.
There is no back button in a hallway. Only forward.
Archive, press kit and front door — hidden inside a piece of horror.
DIRECTORY BOARD · LOBBY LEVEL · 09 FLOORS INDEXED
Nine floors, logged and numbered. Hover a room to wake its camera; click to enter the work. Programmers and creative directors: this is the fastest route to a full body of evidence — films, books, records, interactive fiction — without a PDF in sight.
FLOOR 001 · SCREENING ROOM · TIMECODE INTACT
A documentary essay on liminal horror: why an empty office corridor frightens us more than a monster, and how a generation built an entire folklore out of carpet, fluorescent light and bad JPEG compression. Watch the reel here, in full, with the production notes attached — every sequence generated, composited and graded in-house, treated as cinematography rather than novelty.
Embedded feature cut with timecode intact; press-approved excerpts available on request.
Shot lists, seeds, reference plates and the discarded takes that taught us the most.
Built for festival projection and vertical feeds alike — one grammar, two exhibition formats.
Programming, licensing, campus screenings and commissioned sequels in other buildings.
EVIDENCE ROOM · FLOORS 003 / 007 / 008
Before the models, there was the fence. Tanya Velazco spent nine years photographing the interiors of a disappearing Miami — hospitals, hotels, schools, houses mid-collapse — and published them as Abandoned Miami: Stay Out / No Trespassing. PBS came for the story; the buildings are mostly gone now. What survives is here, catalogued like an incident file, and for sale.
Abandoned Miami: Stay Out / No Trespassing — signed copies shipped from the studio.
Limited editions, museum-grade paper, numbered and stamped with the site's last address.
Broadcast documentary segment on the work and the ethics of entering.
Every frame is a real room, on a real date, with a real door left open.
“Less interested in using AI to generate polished images than in using it as a filmmaking and world-building medium.”— TANYA VELAZCO · ABANDONED MUSE · MIAMI, FL
FLOORS 002 / 004 / 005 / 006 · WORKING SYSTEMS
AI is a production medium here, not a stunt. We storyboard, cast, block, light and edit; the model is a camera department with strange weather. That discipline is the offer: labs get an artist who can break their video models productively and document exactly how, and studios get finished films instead of demos.
Prompt-engineering residencies, model evaluation, red-teaming of generative video pipelines.
Commissioned shorts, title sequences and world-building with a defensible visual point of view.
Published photographer, PBS-featured, festival-screened, working daily inside frontier video tools.
Scores about forgetting, interactive fictions, and experiments we keep because they misbehave.
FLOOR 009 · EXIT · DOOR ALARMED
No one leaves without signing. Give a name, state your purpose of visit, leave a message — commission brief, festival invitation, licensing request, or nothing at all. The mailing list is one line and infrequent: new films, print drops, screening dates. Replies come from Tanya, not a department.
Who was in the building.
Commission / Festival / Press / Lab partnership / Print or book order / Just looking.
Budget, deadline and format if you have them; the idea alone is fine if you don't.
Join the log to receive project drops and screening notices before they go public.